Ewa Jacobsson - The Labyrinthic Explanation of Knowledge

16.10. – 09.11.2025, in the 2-Raum

The visual artist, composer and sound artist Ewa Jacobsson (*1962) has been working with field recordings since the early 1980s, collecting visual fragments of shipwrecked people at the places where they are found. She uses a variety of materials such as marzipan, electronic waste, rotting objects, oil, steel, wire, photography, film, painting and drawing.

Her work includes site-specific installations, spatial interventions, sound compositions and visual objects with integrated sound sources. She has also been realising live performances for many years. Her works have been shown in exhibitions, concert halls, museums and public spaces - often involving the audience and the space.

In co-operation with musicians, she uses edited field recordings, text fragments, instruments and the respective room acoustics. Sound sources are integrated into visual objects. Riddle drawings and scores made from physical materials function as commentaries and explorations of the knowledge that art accumulates.

The combination of high-tech with low-tech, found objects and waste reflects Jacobsson's interest in conveying existential or political meaning through various media - beyond established material hierarchies.

DAtes

The following dates are scheduled for the exhibition:

No current events.

Reinhard Sigle - On the Beautiful Blue Danube into the Gulf of Mexico | With an audio installation by Marie Hak

Deißlingen-based sculptor Reinhard Sigle (b. 1954) is a past master of the fine art of the mis-en-scène and equally adept at that of ‘going against the current’ of whatever the latest prevalent trend happens to be. Consistently thought-provoking, his installations have been causing a stir for over three decades.

Sigle’s material of choice is timber or firewood: planks, slats, splinters and shavings. Using glue, the artist assembles these roughly hewn fragments into fragile, three-dimensional structures that do not conceal the marks of his working process. Bright signal colours underline the object character of his works.

In the 2-Raum of Museum Art.Plus, Sigle is presenting a blue cloud with ‘biological content’ as well as an installation made of materials that are rather unusual for him – among them a children’s trampoline and stress balls in the shape of terrestrial globes.

His works are worldly-wise – they pick up the everyday reality of life today. As a critical observer, the artist takes a stand on the social problems of our time: against war, violence, marginalisation and environmental destruction.

The audio piece 'Donauwasser1' by Marie Hak (b. 1993) from Rottweil, invites you to listen to the Danube – recorded with baffled A-B stereo technology, a binaural recording technique that creates a remarkably three-dimensional soundscape.

 

Opening speech: Hendrik Bündge
Music: Jürgen Palmtag
Free admission!

Reinhard Sigle

29.06. – 05.10.2025, in the 2-Raum

Reinhard Sigle - On the Beautiful Blue Danube into the Gulf of Mexico | With an audio installation by Marie Hak

Deißlingen-based sculptor Reinhard Sigle (b. 1954) is a past master of the fine art of the mis-en-scène and equally adept at that of ‘going against the current’ of whatever the latest prevalent trend happens to be. Consistently thought-provoking, his installations have been causing a stir for over three decades.

Sigle’s material of choice is timber or firewood: planks, slats, splinters and shavings. Using glue, the artist assembles these roughly hewn fragments into fragile, three-dimensional structures that do not conceal the marks of his working process. Bright signal colours underline the object character of his works.

In the 2-Raum of Museum Art.Plus, Sigle is presenting a blue cloud with ‘biological content’ as well as an installation made of materials that are rather unusual for him – among them a children’s trampoline and stress balls in the shape of terrestrial globes.

His works are worldly-wise – they pick up on the everyday reality of life today. As a critical observer, the artist takes a stand on the social problems of our time: against war, violence, marginalisation and environmental destruction.

The audio piece 'Donauwasser1' by Marie Hak (b. 1993) from Rottweil, invites you to listen to the Danube – recorded with baffled A-B stereo technology, a binaural recording technique that creates a remarkably three-dimensional soundscape.

DAtes

The following dates are scheduled for the exhibition:

Elsa Biston turns the rooms of the Museum Art.Plus into a dense landscape of vibrating and resonating objects that sound and react to each other – from drums and cymbals to leaves and paper. The audience can actively intervene and become part of the landscape, just as the musicians of United Instruments of Lucilin who perform concerts that Biston has composed into the installation.

Tickets: 12 EUR / 6 EUR reduced

> order concert tickets here

All concert dates "aussi fragile que possible" at a glance:

Our opening hours during the Music Days: Thu 5-8pm : Fri 10am-6pm : Sat 10am-8pm : Sun 9.30am-5pm

Note: We will take photos during the event for the purpose of publication on our website www.museum-art-plus.com and our social media channels Facebook and Instagram. By participating in the event, you agree to the publication of photos in which you are also pictured. If you do not want this, please let our photographer or our staff know.

 

 

Elsa Biston turns the rooms of the Museum Art.Plus into a dense landscape of vibrating and resonating objects that sound and react to each other – from drums and cymbals to leaves and paper. The audience can actively intervene and become part of the landscape, just as the musicians of United Instruments of Lucilin who perform concerts that Biston has composed into the installation.

Tickets: 12 EUR / 6 EUR reduced

> order concert tickets here

All concert dates "aussi fragile que possible" at a glance:

Our opening hours during the Music Days: Thu 5-8pm : Fri 10am-6pm : Sat 10am-8pm : Sun 9.30am-5pm

Note: We will take photos during the event for the purpose of publication on our website www.museum-art-plus.com and our social media channels Facebook and Instagram. By participating in the event, you agree to the publication of photos in which you are also pictured. If you do not want this, please let our photographer or our staff know.

 

 

Elsa Biston turns the rooms of the Museum Art.Plus into a dense landscape of vibrating and resonating objects that sound and react to each other – from drums and cymbals to leaves and paper. The audience can actively intervene and become part of the landscape, just as the musicians of United Instruments of Lucilin who perform concerts that Biston has composed into the installation.

Tickets: 12 EUR / 6 EUR reduced

order concert tickets here

 

All concert dates "aussi fragile que possible" at a glance:

 

Our opening hours during the Music Days: Thu 5-8pm : Fri 10am-6pm : Sat 10am-8pm : Sun 9.30am-5pm

Note: We will take photos during the event for the purpose of publication on our website www.museum-art-plus.com and our social media channels Facebook and Instagram. By participating in the event, you agree to the publication of photos in which you are also pictured. If you do not want this, please let our photographer or our staff know.

 

 

"Transparenz, Fluidität, Schatten und Licht manifestieren Raum und Zeit."  a room and a view | Zitat: Robert Bonaccorsi, 2019

Sandra Eades (*1949 in Chelmsford, England) vereint in ihren Bildern Fotografie und Malerei collagenartig zu einem eigenständigen Genre – „Photo/Painting“. Sie ist eine der ersten Künstlerinnen, die dieses Verfahren in dieser Art einsetzt. Sie fotografiert analog, d.h. sie verwendet noch Filme, die entwickelt werden müssen. Häufig dienten Orte als Inspiration für diese Fotos.

Diesen Sonntag haben Sie die einmalige Gelegenheit mit der Künstlerin in den Dialog zu treten. Im Anschluss an das Gespräch können Sie den Austausch mit Sandra Eades gerne bei einem Glas Sekt in unserem Foyer weiterführen.

Komplettpreis: 5 Euro

Anmeldung unter: Tel. 0771.896689-0 oder info@museum-art-plus.com.

Hinweis: Wir fotografieren während der Veranstaltung zum Zweck der Veröffentlichung auf unserer Webseite www.museum-art-plus.com und unseren Social Media Kanälen Facebook und Instagram. Mit Ihrer Teilnahme an der Veranstaltung erklären Sie sich mit der Veröffentlichung von Fotos einverstanden, auf denen auch Sie abgebildet sind. Wenn Sie das nicht möchten, teilen Sie das bitte unserem Fotografen oder unseren Mitarbeitern mit.

Bodo Korsig’s work defies easy categorisation and alternates freely between spatial installations, sculpture, interactive video pieces and book art.

Born in Zwickau in 1962, Korsig studied in Berlin before embarking on a career that has taken him all over the world. After an extended and productive period in New York, he returned to Germany, where he teaches in Trier. His work is shown at art fairs, museums and galleries in Germany and internationally.

The organic structures of Korsig’s distinctive large-format black cut-outs have a suggestive power that transforms the spaces they are shown in into parallel worlds that can be read as striking artistic metaphors.

At Museum Art.Plus, Bodo Korsig is presenting a selection of works from the last five years: felt pieces, steel cut-outs and drawings, that offer an insight into his fascinating creative practice of developing forms that give expression to his interrogation of perception, consciousness and the depths of human existence. In keeping with the title of this exhibition – Break the Limits – Bodo Korsig has always pushed the boundaries of art and its genres. With his expansive installations, the artist invites the viewer, too, to test and boldly cross the limits.

Opening speech: Dr Tobias Wall
Musical accompaniment: Moritz Schneider-Strittmatter and Janick Scholl, Hfm Trossingen

Admission free!

Elsa Biston turns the rooms of the Museum Art.Plus into a dense landscape of vibrating and resonating objects that sound and react to each other – from drums and cymbals to leaves and paper. The audience can actively intervene and become part of the landscape, just as the musicians of United Instruments of Lucilin who perform concerts that Biston has composed into the installation.

Tickets: 12 EUR / 6 EUR reduced

> order concert tickets here

All concert dates "aussi fragile que possible" at a glance:

Our opening hours during the Music Days: Thu 5-8pm : Fri 10am-6pm : Sat 10am-8pm : Sun 9.30am-5pm

Note: We will take photos during the event for the purpose of publication on our website www.museum-art-plus.com and our social media channels Facebook and Instagram. By participating in the event, you agree to the publication of photos in which you are also pictured. If you do not want this, please let our photographer or our staff know.

Sandra Eades  (*1949 in Chelmsford, UK) combines photography and Painting, collage-like, to an independent genre – "Photo/Painting". She is one of the first artists to use this process in this way. She photographs analogue, i.e. she still uses films that have to be developed. Often, places have inspired these photos.

In this exhibition, Sandra Eades shows works from a group of works that she started as a scholarship holder of the Provence-Alpes-Côté'azur region at Villa Tamaris and on which she is still working today. Her studio, located on the top floor of Villa Tamaris, has a view over the entire bay of Toulon. This situation gave the series of pictures the title: "A Room and a View". Julia Berghoff writes: "A Room and a View" already refers with its title to two levels of reality that Eades reveals in these works, the material space (room) and the associated perception, the gaze. (View)

Admission free!